Classroom-level

This lesson plan uses Kevin Seeber's process cards and our newly created set of process cards that focus on news sources.  In the activities using the process cards, our students were able to define and contextualize different types of information resources, including news sources.  The tranfer and apply assessment used to close the session provides an opportunity for the students to think about how they would integrate these types of information into coursework, the workplace, and their personal lives.
Contributor: Susan Miller
Discipline(s): Multidisciplinary
License Assigned: CC Attribution-NonCommercial-ShareAlike License CC-BY-NC-SA
If there were a list of things I absolutely required all my students to understand before leaving my class, the relationship between mass media, politics, and science would be close to the top of the list. But there are a lot of moving parts in these relationships, so the terrain is difficult to traverse.  As one might expect of a difficult topic, there is much to read and a lot to unpack.   This pathfinder discusses how politics and our mass media system complicate the dissemination of important scientific information. 
Contributor: Todd Heldt
License Assigned: CC Attribution-ShareAlike License CC-BY-SA
The Critical Information Literacy Lesson Plan includes a lesson plan with a bibliography of assigned readings and discussion questions for students as well as presentation slides with main points from the lesson: definition of critical information literacy, evaluating information is a process, authority is constructed and contextual, how to evaluate information, and check the facts.
Contributor: Latia Ward
Information Literacy Frame(s) Addressed: Authority is Constructed and Contextual
Type of Institution: University
License Assigned: CC Attribution-NonCommercial-ShareAlike License CC-BY-NC-SA
This is a lesson plan that centers around a 30-minute activity that gets students thinking and talking about the primary sources they create as they go about their daily lives, in order to prepare them to understand and contextualize the primary sources they encounter in historical research. They will also learn skills that can be transferred to future archival research. This works well as part I of a two-part interaction with classes. Typically, I go to their classroom for this lesson, meeting the students in a room in which they feel comfortable. They then come to the library several weeks later for a research-intensive workshop.
Contributor: Claire Lobdell
Resource Type(s): ActivityLesson Plan
Information Literacy Frame(s) Addressed: Information Creation as Process
License Assigned: CC Attribution License CC-BY
This is a participatory, variable lesson frame ready for you to modify to suit your instruction needs. 
Contributor: Anaya Jones
Resource Type(s): ActivityLesson Plan
License Assigned: CC Attribution-NonCommercial License CC-BY-NC
This is designed as a 75 minute lesson plan. It isn’t tied to specific course content, but can be tailored to a particular course and scaled to shorter or longer class sessions. It is designed as more of a theoretical, reflective introduction to concepts of privacy and security than as a nuts-and-bolts or tech heavy workshop, and it includes a debate activity entitled "The Rewards and Risks of Convenience." It could also be used as part 1 in a two-part workshop series in which the second focuses more on specific strategies/methods/software.
Contributor: Claire Lobdell
Resource Type(s): Lesson Plan
Information Literacy Frame(s) Addressed: Information Has Value
License Assigned: CC Attribution License CC-BY
Studying music in an online setting requires that students and instructors leverage digital resources and participatory technologies with understanding and intentionality. Meta-literacy, a framework promoting critical thinking and collaboration, is an inclusive approach to understanding the complexities of information use, production, and sharing in a digital environment. This chapter explores the implications of meta-literacy for the online music classroom and identifies ways in which the librarian and music instructor can collaborate to promote student self-reflection on the use, creation, and understanding of musical information or content.  
Contributor: Rachel Scott
License Assigned: All Rights Reserved
In this exploratory study the author asks students enrolled in a credit-bearing undergraduate research methods course to rank and evaluate the troublesome, transformative, and integrative nature of the six frames currently comprising the Framework for Information Literacy for Higher Education. The results indicate that students have valid insights into threshold concept-based instruction, but may confuse the application with the theory. If practitioners are to embrace not only the frames, but also the spirit of the Framework, we must directly involve students in our teaching and research practices.
Contributor: Rachel Scott
License Assigned: CC Attribution-NonCommercial-NoDerivs License CC-BY-NC-ND
Librarians are frequently asked to “teach” several databases in a 1-shot session, despite findings suggesting that such database demonstrations do not lead to optimal student outcomes. The ACRL Framework for Information Literacy for Higher Education highlights the concepts of metaliteracy and metacognition. This paper investigates ways in which I leveraged both of these concepts to reconcile my pedagogical ideals with an attempt to honor a faculty member’s request. By demonstrating question posing and making my own metacognitive processes transparent to students, I found that I could honor a faculty request for specific database demonstration while helping learners comprehend and see beyond the constructs of platform and format.
Contributor: Rachel Scott
Information Literacy Frame(s) Addressed: Framework as a Whole
Discipline(s): MultidisciplinaryMusic
License Assigned: CC Attribution-NonCommercial-NoDerivs License CC-BY-NC-ND
Although much of the classical music repertory is centuries old, musicians and musicologists participate in ongoing and lively conversations about the works. New insights on old works increasingly surface thanks to technological innovations: from data-rich digital humanities projects to casual online forums where media and text can be posted and discussed. The study and performance of a musical work--even more so than text-based disciplines--should be informed by a variety of sources in a wide array of formats. As the interplay between audience and performer becomes increasingly dynamic and the potential sources for study multiply, librarians can help students negotiate this sustained, multi-format discourse. Unlike other disciplines in which there may be an uncontested answer, a musical work is subject to interpretation in unique ways. “Scholarship as Conversation” provides a framework with which musicians might begin to navigate the many considerations of how to perform or understand a piece. In order to fully appreciate the lifecycle of the work, for example, once must synthesize a variety of contemporary and historical recordings, scholarly, manuscript, and performing scores, composer biography, and other contextual information. Academic librarians must partner with music faculty to offer instruction that specifically targets and assesses student understanding of the dialogic nature of music performance and study. By helping musicians understand the many voices engaged in this dialogue, such collaborations could make a meaningful impact on the musician’s stock-in-trade: her performance.
Contributor: Rachel Scott
License Assigned: CC Attribution-NonCommercial-NoDerivs License CC-BY-NC-ND

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