An open access MOOC in French to bonify the information literacy skills of university students (with Moodle).

This lesson is designed to orient teacher education students to the library spaces and resources that support the development of multiple literacies by using a gamified tour through a series of stations throughout the library. Exploration stations are focused on themes of Indigenous perspectives and critical literacy, differentiated reading materials, leisure reading, coding and computational thinking resources, and “making” stories through unplugged STEAM activities. At each station, students engage with the resources through conversation, play, and decision-making. Students will gain an appreciation for the breadth of library resources to support the development of multiple literacies, and begin to critically appraise teaching and learning resources for the classroom. The Unlock Library Literacy workshop models a gamified approach to learning design. Students gather in small groups and engage in a self-guided exploration of stations throughout the library, with librarians available to facilitate and answer questions. An online survey platform is used to randomly move students from one station to the next, and states the tasks students must perform at each location. After completing each exploration station, students will receive a clue. After completing all required stations, students will have the code for a combination lock that they can use to unlock a box and get a prize.  

Deciding who to vote for can be hard. On top of that, finding information about local elections can sometimes be difficult, as can be figuring out if you agree with a candidate on an issue that you don’t know too much about. This activity engages students in the civic process and in research. Students will use internet searching to find information about candidates, and database searching to find information out about an issue. 

In this activity, students work in groups to craft a response to a presidential tweet from an assigned perspective (e.g. right or left leaning news source). In doing so, they are required to find, evaluate, and effectively use information to make a case. Unlike a research paper, which aspires to be neutral or unbiased, this activity asks students to respond to a tweet from a particular perspective, with a particular bias, requiring them to engage with their sources in a new way. The activity is followed by a discussion of students' interactions with the information they found and presented. 

This lesson plan uses Kevin Seeber's process cards and our newly created set of process cards that focus on news sources.  In the activities using the process cards, our students were able to define and contextualize different types of information resources, including news sources.  The tranfer and apply assessment used to close the session provides an opportunity for the students to think about how they would integrate these types of information into coursework, the workplace, and their personal lives.

This is a lesson plan that centers around a 30-minute activity that gets students thinking and talking about the primary sources they create as they go about their daily lives, in order to prepare them to understand and contextualize the primary sources they encounter in historical research. They will also learn skills that can be transferred to future archival research. This works well as part I of a two-part interaction with classes. Typically, I go to their classroom for this lesson, meeting the students in a room in which they feel comfortable. They then come to the library several weeks later for a research-intensive workshop.

This is a participatory, variable lesson frame ready for you to modify to suit your instruction needs. This lesson and it's variations focuses on encouraging students to see themselves as information creators and part of the scholarly conversation and can also variously include conversations about about the scholarly information cycle and/or authority depending on instruction constraints and configuration.Start with StudentScholarLessonPlan.pdf below.

Studying music in an online setting requires that students and instructors leverage digital resources and participatory technologies with understanding and intentionality. Meta-literacy, a framework promoting critical thinking and collaboration, is an inclusive approach to understanding the complexities of information use, production, and sharing in a digital environment. This chapter explores the implications of meta-literacy for the online music classroom and identifies ways in which the librarian and music instructor can collaborate to promote student self-reflection on the use, creation, and understanding of musical information or content.  

Librarians are frequently asked to “teach” several databases in a 1-shot session, despite findings suggesting that such database demonstrations do not lead to optimal student outcomes. The ACRL Framework for Information Literacy for Higher Education highlights the concepts of metaliteracy and metacognition. This paper investigates ways in which I leveraged both of these concepts to reconcile my pedagogical ideals with an attempt to honor a faculty member’s request. By demonstrating question posing and making my own metacognitive processes transparent to students, I found that I could honor a faculty request for specific database demonstration while helping learners comprehend and see beyond the constructs of platform and format.

Although much of the classical music repertory is centuries old, musicians and musicologists participate in ongoing and lively conversations about the works. New insights on old works increasingly surface thanks to technological innovations: from data-rich digital humanities projects to casual online forums where media and text can be posted and discussed. The study and performance of a musical work--even more so than text-based disciplines--should be informed by a variety of sources in a wide array of formats. As the interplay between audience and performer becomes increasingly dynamic and the potential sources for study multiply, librarians can help students negotiate this sustained, multi-format discourse. Unlike other disciplines in which there may be an uncontested answer, a musical work is subject to interpretation in unique ways. “Scholarship as Conversation” provides a framework with which musicians might begin to navigate the many considerations of how to perform or understand a piece. In order to fully appreciate the lifecycle of the work, for example, once must synthesize a variety of contemporary and historical recordings, scholarly, manuscript, and performing scores, composer biography, and other contextual information. Academic librarians must partner with music faculty to offer instruction that specifically targets and assesses student understanding of the dialogic nature of music performance and study. By helping musicians understand the many voices engaged in this dialogue, such collaborations could make a meaningful impact on the musician’s stock-in-trade: her performance.